Violins
Big tone, sweet yet powerful, mellow but zinging with an edge that cuts
to the back of any hall. That's the sound quality I strive for with every
instrument varying in different aspects and degrees of intensity depending
on the design or personal request.
Cheshire
A violin with a deep dramatic g string balanced by dark, smooth-chocolate tones through d, a, and into the clear
upper register of the e that gives an immediate sensation of sonorous pleasure. The slim neck makes navigation through all
positions a joy.
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Pearl
Immediate response and a polished tone throughout characterize the Pearl. A light, shimmering iridescence pulsates and gives the Pearl a bright edge throughout its range.
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Pythagoras
This violin has a big beautiful sound and a classically proportioned look enhanced by New Mexican turquoise studs inlaid in the pegs and tailpiece.
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Zeus
Lightning strikes down the back of the scroll and a thunderous sound emanates from within. Zeus can almost play himself.
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Ladybug
As its name implies, the Ladybug was made with a small-handed person in mind. Although technically a 7/8th violin from a design by Amati, my Ladybug sounds a lot bigger than it looks and feels.
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YinYang
A one-piece back of Oregon maple cut in the 1920’s and a top of Port Orford cedar coupled with a design of my own – slightly wider bouts and flat arching give this violin projection and warmth of tone.
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